February 2015

cloud study 9-lockwoodFebruary 2015

The sky is clearer but storms are waiting in the wings, brewing on the horizon. They’re staying around the edges today, leaving the rest of the sky a deep rich blue. Pheasants are chasing each other around the studio field, male chasing male, female chasing male.

Farm machinery is ratcheting and grinding away in the background. The fields are being turned and mud is being spread down the roadways. It feels energetic in the landscape, the sky is unpredictable and brooding and I’m looking forward to what it might throw at me as I walk home. I need this fresh air on my skin, I’ve been sucked into winter hibernation.

The clear sky has misled me as I walk back. As I look ahead of me to the golden colours of the marsh, storm clouds have crept up behind, swallowing the light and dumping a load. From sun to shower in no time at all, it’s pushed its way in, forced me to stand in forest near Walsey hills under the dripping trees. The wind has picked up and pressed the rain in, through to my knees and washed down my face. I feel fresh and cleansed, and the mud on the coast road is being washed away and chased in rivulets into the gutter.

cloud study 10

 

January 2015

153 - Light in the Forest - 97x166cm - oil on linen

JANUARY 2015

At this time of year, grey days and long dark evenings begin to suck the life out of me and the colour out of my work. I find it a battle between the dark and the light. It begins gradually and works it’s way through my colour palette, until finally I paint a picture that makes me feel that I can’t take it any more. I need the light and on those precious days when the winter sun does come, I’m out, scouring the landscape.

Winter reeds on the marsh glow gold in the sun when it finally shines and the waterways and pools reflect an amazingly intense blue from the clear skies. The contrast can be great from one day to the next and my moods swing with the intensity of these changes.

Forests at this time of year have the biggest affect of all upon me. Here the contrast between light and dark is at its greatest. When the low sunlight breaks through, it ricochets from one tree to another, finally reaching the forest floor and the autumn leaves that lay upon it. Dark shadows create a contrast with this sunlight that makes the autumn leaves glow and burn like hot coals. The colours remain with me when I’m in my studio and break into my paintings on the dull days keeping my spirits alive.